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Boris Godunov (Opera by Modest Mussorgsky)

Boris Godunov (Opera by Modest Mussorgsky)

Opera in four acts.
Libretto by Modest Mussorgsky, based on Alexander Pushkin"s play of the same name.
Version and orchestration by Nikolai Rimsky-Korsakov.
Orchestration of "At St. Basil Cathedral" scene by Mikhail Ippolitov-Ivanov.
1948 production
Music Director: Nikolai Golovanov.
Stage Director: Leonid Baratov.
Designer: Fyodor Fedorovsky.
Choreographer: Leonid Lavrovsky.
2011 revival
Conductors: Vassily Sinaisky, Pavel Sorokin.
Director: Igor Ushakov.
Designer of scenery revival: Alyona Pikalova.
Designer of costumes revival: Elena Zaytseva.
Choreography revival: Ekaterina Mironova.
Lighting Designer: Sergei Shevchenko.
Chorus Master: Valery Borisov.
Premiered on October 16, 1948.
Sung in Russian.
Presented with three intervals.
Running time: 4 hours 07 minutes.

SYNOPSIS

Prologue
Scene 1

A crowd throngs by the high walls of the Novodevichy Monastery in Moscow. The boyar, Boris Godunov, has withdrawn to the monastery after the death of Tsar Fyodor, who did not leave an heir. That Boris will be elected to the throne is a foregone conclu sion, but he makes a show of refusing the crown so that he is not suspected of wishing to seize power. At the order of a police offi cer, the people beg Godunov to accept election to the throne:
"Do not abandon us, Father,
Do not leave us helpness!"
But Shchelkalov, secretary of the Duma, announces that Boris is implacable.

Scene 2
Square in front of the Cathedral of the As sumption in the Kremlin. A majestic pealing of bells - Boris has given his consent and is being crowned. But Tsar Boris is not happy, he is weighed down by anxiety:
"My soul is heavy,
Some instinctive fear
With ominous foreboding
Rivets my heart..."
In the Kremlin the bells are pealing and the people break out again into acclamation.

Act I
Scene 1

Late at night. A cell in the Chudov Monaste ry. By the light of an icon-lamp, the wise monk Pimen is writing a truthful chronicle of the history of the Russian state. In his chronicle, Pimen reveals the secret of the murder, by Boris Godunov, of Tsarevitch Dimitri who had stood between him and the throne. Grigory, a young novice, sharing Pimen"s cell, wakes up. He listens to the holy man"s tale and a storm of anxieties, passions and vainglorious ambitions breaks into the peace of the night. The idea comes to Grigo ry of calling himself the Tsarevitch and of doing battle with Boris for the throne.
"Boris! Boris! All tremble before you,
No one dares to remind you
Of the fate of the hapless infant...
But meanwhile a hermit in a dark cell
Is writing a terrible denunciation against you.
And you shall not escape human judgment,
As you shall not escape the judgment of heaven!"

Scene 2
An inn near the Lithuanian frontier. Three va gabond monks, Varlaam, Missail and Grigory, have dropped in on the sprightly, merry mistress of the establishment. Varlaam, a drunkard and glutton, sings a song about the capture of Kazan. Grigory, questions the mi stress of the inn on the best route to Lithuania. A police officer comes into the inn: on the Tsar"s orders he is searching for the run away monk, Grigory Otrepiev. After an un successful attempt to deflect the suspicion from himself, Grigory leaps through the win dow and makes good his escape.

Act II
Scene 3

The Tsar"s private apartment in the Kremlin. Tsarevitch Fyodor is looking at the "Book of the Big Drawing", the first map of Russia. Ksenia, Boris" daughter, is grieving before a portrait of her dead fiancй, the heir to the Danish throne. In an attempt to cheer her up, her old nurse tells her a funny story. Boris comes in and talks tenderly to his children, he is pleased to see his son gleaning wis dom from a book. But even here, with his children, Boris is tormented by anguish. Russia has been visited by a terrible famine. "Peop le affected with the plague wander about like wild animals", and the common people bla me the Tsar for all their troubles: "in the squ ares they curse the name of Boris". Some thing approaching a groan breaks out from deep down inside the Tsar:
"All around is darkness and impenetrable gloom,
O, for a fleeting glimpse of a ray of joy!..
Some secret anxiety,
One inconstantly expecting disaster!.."
The boyar, Shuisky, comes in, a cunning courtier and leader of a group of boyars with seditious intentions. He brings bad news: a pretender has raised his head in Lithuania, having taken the name of the Tsarevitch Dimi tri. He has the support of the King of Poland, the Polish nobles and the Pope. Boris requires Shuisky to tell him the truth: is he certain that the babe who was killed in the town of Uglich was the Tsarevitch Dimitri? Shuisky, enjoying the Tsar"s torment, descri bes the deep wound on the Tsarevitch"s neck, and the angelic smile on his lips...
"It seemed, that in his cradle
He was peacefully sleeping..."
Shuisky departs, having aroused with new force the fears and agitation which grip Bo ris: the latter now thinks he sees an appari tion of the murdered Dimitri.

Act III
Scene 4

A ball in the garden of Mnishek, the Governor of Sandomir. The Polish nobles are preparing to march on Moscow. They mean to place their protйgй on the Russian throne: Grigory, the runaway monk from the Chudov monaste ry, who has taken the name of the murdered Tsarevitch Dimitri. In this they will be helped by the ambitious plans of the Governor"s daugh ter, the beautiful Marina, who dreams of beco ming the wife of the future king of Russia. The long-awaited (by the Pretender) rendez vous between Marina and Dimitri who is in love with her takes place. However, Marina s abrupt and calculating speech, and her de termination, which she makes no attempt to conceal, to sit on the Russian throne discon cert the Pretender for a brief moment. Reali zing this, Marina wins him over by false pro testations of her love for him. The Jesuit, Rangoni, celebrates his victory.

Scene 5
An early winter"s morning. A square in front of the Cathedral of St. Basil the Blessed in Moscow. A crowd of starving people are discussing the Pretender s victories over the forces of Boris. A Simpleton comes running into the Square. Urchins surround him and take a kopek from him . The Tsar comes out of the Cathedral. "Bread, bread! Give the starving bread! Give us bread, father, for the sake of Christ!" cries the crowd. Goaded by the urchins, the Simple ton addresses the Tsar: "Order them to be killed, as you killed the little Tsarevitch". Boris tells the boyars not to seize the Simpleton:
"Let him be! Pray for me, simple person..."
But the Simpleton replies:
"No, Boris! It can not be done!
How can one pray for a Tsar Herod?
Our Lady does not allow it..."

Act IV
Scene 6

A clearing in the forest near Kromy. Night-time. The peasants, who are in revolt, lead in a Kromy boyar whom they have taken pris oner. They make fun of the boyar, reminding him of all their grudges:
"You trained us the right way,
In storms and bad weather, and when roads were impassable,
You exploited us,
And whipped us with a slender lash..."
The arrival of the monks, Varlaam and Missail, who denounce the sins of Boris, the regicide, stirs up the crowd s anger even more. They break out into a threatening song:
"A dashing young force is on the rampage,
The Cossack blood is all aflame!
A great subversive power has risen from the depths..."
Jesuit priests, the Pretender"s emissaries, appear. But the arrival of these foreigners arouses the crowd"s indignation. The peas ants drag the Jesuits into the forest to be hanged.
The Pretender, rides into the clearing, sur rounded by troops, Polish gentry and Jesu its. He frees the Kromy boyar. By promising his favor and protection, the Pretender per suades the peasants to march on Moscow. The sky lights up with the glow of a fire. The alarm bell is rung. The Simpleton appears, looking round him in fear. His prophetic words of the new troubles that await the Russian people are spoken in anguish and pain:
"Flow, flow, bitter tears,
Cry, cry, Russian Orthodox soul!
Soon the enemy will come and darkness will fall,
Black, impenetrable darkness..."

Scene 7
The Granovitaya Chamber, in the Kremlin. A session of the Duma is in progress. The boyars are discussing what punishment sho uld be meted out to the Pretender should he be caught. Shuisky appears. He describes the scene in the Tsar"s private apartment, when Boris drove off the apparition of the murdered Tsarevitch Dimitri. At this point, Boris comes running in, shouting: "Away, away, child!" Catching sight of the boyars, he regains his self-control and asks them for advice and help. At this, Shuisky suggests to the Tsar that he listen to a holy man who has come to tell them of a great secret. Boris ag rees. Pimen is brought in. Pimen"s tale of the miraculous cure of a sick man at the gra ve of the murdered Tsarevitch Dimitri, in Uglich, is more than Boris can take and he falls senseless to the floor. Regaining conscious ness, the dying Tsar gives his son advice on how to protect his kingdom:
"Don not trust the slander of the seditious boyars,
Keep a vigilant watch over their secret dealings with Lithuania,
Punish treason without mercy, without charity punish it,
Listen carefully to what the people say -
for their judgement is not hypocritical..."
To the pealing of the funeral bell and the chanting of a choir of monks, the Tsar dies. The shocked Tsarevitch Fyodor, having paid his last respects to his father, rises to his feet...And immediately, Shuisky who, unse en, had crept ahead of him, blocks his way to the throne.

The Main Stage

Swan Lake (Ballet by Pyotr Tchaikovsky)

Swan Lake (Ballet by Pyotr Tchaikovsky)

Ballet in two acts
Libretto by Yuri Grigorovich after scenario by Vladimir Begichev and Vasily Geltser
Choreographer: Yuri Grigorovich (2001 version)
Scenes in choreography by Marius Petipa, Lev Ivanov,?Alexander Gorsky used
Designer: Simon Virsaladze
Music Director: Pavel Sorokin
Lighting Designer: Mikhail Sokolov

SYNOPSIS

Act l
Scene 1

In an old German castle, the birthday of Prince Siegfried is being celebrated; today he comes of age. He is congratulated by his mother, the Princess Mother, friends and courtiers. In a majestic ceremony, Siegfried is made a knight. From this day on a sense of duty, valor will be the guiding principles in his life.
The last toasts are pronounced in his honor, young girls, his contemporaries, try to attract his attention, but Siegfried is overcome by emotions of a different order. He dreams of a pure, ideal love. The festivities draw to an end, the guests depart, leaving the prince alone with his thoughts in the gathering dusk. Night falls. Siegfried is conscious of the presence of a shadow at his side, it is as if some mysterious force is beckoning to him. It is the Evil Genius, or Fate itself, who has come to reveal some perturbing secrets to the Prince. Submitting to the powerful pull of his invisible companion's presence and full of anxious foreboding, Siegfried succumbs to the ideal world of his dreams...

Scene 2
Lured by the Evil Genius, Siegfried finds himself on the banks of a mysterious lake. In the shimmering patches of moonlight on the water, visions of bewitched swan maidens rise up before him. Siegfried catches sight of Odette, the most beautiful of the maidens. He is spell-bound, deeply struck by her beauty. At long last, he has found his romantic ideal of love. He swears to Odette that he will love her forever and be faithful to her.

Act II
Scene 3

Prospective brides-to-be are arriving at the Princess Mother's castle. The Prince must chose one of them to be his wife. But Siegfried can think of nothing but Odette and his meeting of her. He dances in an offhand way with the well-born maidens. Not one of them can compare to his ideal.
Suddenly, a mysterious knight arrives at the ball accompanied by a ravishingly beautiful young girl and a suite of black swans. It is the Evil Genius and Odile, Odette's double. Struck by their resemblance, Siegfried hurries towards Odile. The Evil Genius is putting the Prince's sentiments to the test. Siegfried is enchanted by the perfidious Odile who manages to disarm him of all his doubts. He announces Odile to be his chosen bride. At this very moment, the throne room is plunged in darkness and a vision of the beautiful Odette appears before the assembled company.
Siegfried realizes that he has become a plaything in the hands of Fate. Hoping to atone for his betrayal, he rushes in despair after the receding image of the white swan.

Scene 4
Night-time. A deep gloom overhangs the lake. Odette brings the tragic news; the Prince has broken his vow of faithfulness to her. Siegfried's conscience is deeply troubled; he hurries towards Odette begging for her forgiveness. Odette forgives the youth but she is no longer mistress of her own fate.
The Evil Genius summons up a storm which disperses, plays havoc with, the heroes of our tale, making it impossible for them to unite. Made weak by his single combat with Fate, Siegfried tries in vain to hold on to the vanish image. As dawn breaks, he finds himself alone on the empty banks of the lake of his dreams.

The Main Stage

Swan Lake (Ballet by Pyotr Tchaikovsky)

Swan Lake (Ballet by Pyotr Tchaikovsky)

Ballet in two acts
Libretto by Yuri Grigorovich after scenario by Vladimir Begichev and Vasily Geltser
Choreographer: Yuri Grigorovich (2001 version)
Scenes in choreography by Marius Petipa, Lev Ivanov,?Alexander Gorsky used
Designer: Simon Virsaladze
Music Director: Pavel Sorokin
Lighting Designer: Mikhail Sokolov

SYNOPSIS

Act l
Scene 1

In an old German castle, the birthday of Prince Siegfried is being celebrated; today he comes of age. He is congratulated by his mother, the Princess Mother, friends and courtiers. In a majestic ceremony, Siegfried is made a knight. From this day on a sense of duty, valor will be the guiding principles in his life.
The last toasts are pronounced in his honor, young girls, his contemporaries, try to attract his attention, but Siegfried is overcome by emotions of a different order. He dreams of a pure, ideal love. The festivities draw to an end, the guests depart, leaving the prince alone with his thoughts in the gathering dusk. Night falls. Siegfried is conscious of the presence of a shadow at his side, it is as if some mysterious force is beckoning to him. It is the Evil Genius, or Fate itself, who has come to reveal some perturbing secrets to the Prince. Submitting to the powerful pull of his invisible companion's presence and full of anxious foreboding, Siegfried succumbs to the ideal world of his dreams...

Scene 2
Lured by the Evil Genius, Siegfried finds himself on the banks of a mysterious lake. In the shimmering patches of moonlight on the water, visions of bewitched swan maidens rise up before him. Siegfried catches sight of Odette, the most beautiful of the maidens. He is spell-bound, deeply struck by her beauty. At long last, he has found his romantic ideal of love. He swears to Odette that he will love her forever and be faithful to her.

Act II
Scene 3

Prospective brides-to-be are arriving at the Princess Mother's castle. The Prince must chose one of them to be his wife. But Siegfried can think of nothing but Odette and his meeting of her. He dances in an offhand way with the well-born maidens. Not one of them can compare to his ideal.
Suddenly, a mysterious knight arrives at the ball accompanied by a ravishingly beautiful young girl and a suite of black swans. It is the Evil Genius and Odile, Odette's double. Struck by their resemblance, Siegfried hurries towards Odile. The Evil Genius is putting the Prince's sentiments to the test. Siegfried is enchanted by the perfidious Odile who manages to disarm him of all his doubts. He announces Odile to be his chosen bride. At this very moment, the throne room is plunged in darkness and a vision of the beautiful Odette appears before the assembled company.
Siegfried realizes that he has become a plaything in the hands of Fate. Hoping to atone for his betrayal, he rushes in despair after the receding image of the white swan.

Scene 4
Night-time. A deep gloom overhangs the lake. Odette brings the tragic news; the Prince has broken his vow of faithfulness to her. Siegfried's conscience is deeply troubled; he hurries towards Odette begging for her forgiveness. Odette forgives the youth but she is no longer mistress of her own fate.
The Evil Genius summons up a storm which disperses, plays havoc with, the heroes of our tale, making it impossible for them to unite. Made weak by his single combat with Fate, Siegfried tries in vain to hold on to the vanish image. As dawn breaks, he finds himself alone on the empty banks of the lake of his dreams.

The Main Stage

Don Quixote (Ballet by Marius Petipa, Alexander Gorsky. Ludwig Minkus)

Don Quixote (Ballet by Marius Petipa, Alexander Gorsky. Ludwig Minkus)

Ludwig Minkus
Libretto by Marius Petipa after the novel of the same name by Miguel de Cervantes
Choreography: Marius Petipa, Alexander Gorsky
New choreographic version: Alexei Fadeyechev
Music Director: Pavel Sorokin
Designer: Valery Leventhal
Costume Designer: Elena Zaitseva
Lighting Designer: Damir Ismagilov
Executive Designer: Olga Medvedeva
Use is made in the production of choreography by Rostislav Zakharov (Dance with Guitars and Jig to music by V. Soloviev-Sedoy); by Kasiyan Goleizovsky (Gipsy Dance to music by V. Zhelobinsky); by Anatoly Simachev (Fandango to music by E. Napravnik).
Will be premiered February 2, 2016.

SYNOPSIS

Prologue
Don Quixote, having read his fill of romances about knights and chivalry, decides to set off on his travels in order to achieve great feats, which willbring glory to his name. As his sword-bearer, he chooses the loyal Sancho Panza, a man of sober outlook who is not prone to dreams.

Act I
In Barcelona there is festive anima?tion in the air. Kitri, daughter of the innkeeper, is flirting with Basilio, the barber, who is in love with her.Finding them together Lorenzo, Kitri s father, chases Basilio away: the barber is no fit match for his daughter. Lorenzo intends Kitri to marry Gamache, a rich noble?man. Kitri refuses outright tosubmit to her father s will.

At the height of the merry-making, Don Quixote appears in the square, accompanied by his sword bearer, Sancho Panza. Catching sight of the innkeeper, Don Quixote mistakes him for the owner of aknight s castle and greets him with respect. Lorenzo responds in like terms and invites Don Quixote into the inn. Sancho Panza is left in the square. But when some young people start to mock Sancho,Don Quixote immediately hurries to his sword-bearer s rescue.

Seeing Kitri, Don Quixote thinks she is the beautiful Dulcinea whom he has seen in his dreams and chosen as the lady of his heart . But Kitri disappears. She has run off with Basilio. Lorenzo,Gamache and Don Quixote set out to look for her.

Act II
Scene 1

Kitri and Basilio are hiding in a tavern. Here they are found by Lorenzo, Gamache and Don Quixote. Lorenzowishes to make an immediate announce?ment of the betrothal of Kitri and Gamache. But Basilio, by agreement with Kitri, pretends to take his life. Kitri sobs over the body of her sweetheart. DonQuixote overcоme by noble indignation accuses Lorenzo of hardheartedness and, threatening him with his sword forces him to agree to his daughter s marriage with the barber Basilio jumps to his feet.There is no point in him pretending to be dead am longer.

Scene 2
In the glade by the windmills is a sprawling gipsy encampment. Here too is a puppet theatre. Don Quixote and Sancho soon appear on the scene. The ownerof the puppet theatre invites Don Quixote to watch a show. Don Quixote follows the performance with rapt attention and, forgetting it is theatre, rushes on to the stage, sword in hand, to defendthose who need his protection. He breaks down the stage, sends the puppets flying and, catching sight of the windmills, mistakes them for evil magicians whom he has to get the better of. Grabbing amill sail, he is first lifted into the air and then falls to the ground.

Scene 3
The wounded Don Quixote and Sancho Panza find themselves in a forest. To Don Quixote, the forest seems to be full of monsters and giants. Sancho Panzasettles Don Quixote down to sleep, while he runs off for help. In his dreams, Don Quixote sees Dulcinea, the lady of his heart , surrounded by Dryads and fairies Sancho Panza comes back with theDuke and Duchess who have been hunting in the forest. He begs them to help the dreaming Don Quixote. The Duke and Duchess invite the wandering knight to visit them m their castle.

Act III
The Duke s castle. All is ready for the reception of Don Quixote.
Having heard from Sancho Panza the happy story of Kitri and Basilio s love, the Duke and Duchess have kindly agreed to allow them to hold their wedding in the castle. Don Quixote and Sancho Panza areinvited to occupy the seats of honor. A solemn procession files past. Catching sight of Kitri, Don Quixote again mis?takes her for the lady of his reveries . But the Duke and Sancho Panza manage topersuade him that she is the very same innkeeper s daughter whom he helped to unite with Basilio, her sweetheart.
The festivities continue. All thank the va?liant knight and his faithful sword-bearer.

The Main Stage

Jewels (Ballet by George Balancine)

Jewels (Ballet by George Balancine)

Ballet by George Balancine in three parts.
Will be premiered at the Bolshoi Theatre on May 5, 2012.

Emeralds
to music by Gabriel Faure

Rubies
to music by Igor Stravinsky
The score has been made available by Boosey & Hawkes Music Publishers Limited

Diamonds
to music by Pyotr Tchaikovsky

Teachers-Repetiteurs: Sandra Jennings, Merrill Ashley, Paul Boos
Set Designer: Alyona Pikalova
Costume Designer: Elena Zaitseva
Music Director: Pavel Sorokin

The Main Stage

Etudes. Carmen Suite (One act ballets)

Etudes. Carmen Suite (One act ballets)

Etudes
Ballet in one act
to music by Carl Czerny arranged and orchestrated by Knudage Riisager
Choreography by Harald Lander
Sceneries, costumes and lighting by Harald Lander
Ballet Masters: Lise Lander, Johnny Eliasen
Music Director: Igor Dronov
Will be premiered on March 19, 2017.

Carmen Suite
Ballet in one act
Adults only
to music by Georges Bizet and Rodion Shchedrin
Libretto Alberto Alonso based on the story Carmen by Prospero Merime
Choreographer: Alberto Alonso
Designer: Boris Messerer
Music Director: Pavel Sorokin
Assistant to Choreographer: Sonia Calero Alonso
Lighting designer: Alexander Rubtsov
For the first time entered the repertory of the Bolshoi Theatre on April 20, 1967.
Revived on November 18, 2005.

Running time: 50 minutes.

New Stage

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